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New Releases Satoshi Fumi crafts emotive deep house cuts on the ‘Sublime EP’
The Tokyo-based artist returns to Bedrock Records with three elegantly composed grooves
Interviews “We don’t need fairytales, we’d do it our way”: The story of Santamonica in their own words
Meet the whimsical duo from Jakarta who took a ten-year step back from the scene only to return with even more flair than before
Features 50+ hours of dance music films to binge-watch
Our handpicked list of visual storytelling in and around dance music for you to dive into
Features 15 aesthetically pleasing DJ booths from across Asia
From spaceship-like decks to sustainable havens for livestreaming — we’ve got one for every genre and audiophile in the region.
Mixes Mixmag Asia Radio: Mill.H opts for diverse beats and expressive grooves
Listen to dynamic atmospherics by Hong Kong stalwart & Utopia co-founder
Features Orbital: "It’s embarrassing to be called 'icons' but at least it's better than being called 'wankers'"
Straight off the back of their 10th studio album, the Hartnoll brothers talk working with Stephen Hawking, raving in the ‘90s and how they keep their live sets fresh
Features Harder, better, faster, stronger: has dance music got harder and faster?
Why does it seem like dance music has got so hard and fast recently? Isaac Muk investigates, exploring the impact of a new generation of "play harder" clubbers and artists, social media and economic turmoil
Features Mixmag điều tra: Tại sao giải Grammy lại nhìn nhận nhạc dance sai lệch đến vậy?
Các đề cử Grammy thường là chủ đề gây tranh cãi, bởi không nhiều người biết chúng được lựa chọn như thế nào. Annabel Ross lý giải trong bài viết này về quá trình bỏ phiếu và thực trạng của giải thưởng Grammy