Breakfast Club Dhaka 1433 marks Bengali New Year with 24-hour festival

Breakfast Club Dhaka 1433 is a 24-hour cultural and music gathering built around Pohela Boishakh, the Bengali New Year.

The title references the Bengali calendar year, grounding the festival in a tradition that marks renewal and the transition into a new cycle.

Developed during a period of uncertainty in Bangladesh, the festival reflects on how culture functions in changing social and political contexts. It positions cultural expression as a shared space where continuity and change can coexist.

Breakfast Club Dhaka, a community-led platform focused on music and youth culture, has shaped the event to bring together heritage, contemporary sound, and collective participation, while also exploring how Pohela Boishakh might evolve in a more globally connected cultural landscape.

The festival unfolds across multiple stages, each with a distinct thematic and sonic direction. The day begins at Boishakhi Moncho with cultural performances, accompanied by the lively atmosphere of a vibrant mela.

The Bonbibir Daak stage that comes alive at night connects local and European electronic scenes, featuring international artists such as Budakid, Matthias Meyer, and M.A.N.D.Y. plus Bangladeshi acts Momi, OMDG, and The Brown Testament.

The festival’s final chapter unfolds at Poddopukur (the sunrise stage), offering a slower, daytime programme with Readhwan, Tawsiv, and Boogaloo Jones, drawing on literary and riverine references within Bengali culture.

At the centre of the festival’s regional focus is the Hutum Pecha stage, developed in collaboration with Bhai Bhai Soundsystem and Mixmag Asia.

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Named after a culturally familiar owl figure, the stage brings together artists from across South Asia, including India’s Nida, Pakistan’s Lyla, Nepal’s Ratna, Kahli from Sri Lanka, plus Bangladeshi acts J0N4K1 and Socketjumpa.

The curation highlights a cross-border exchange of electronic music shaped by shared cultural histories but expressed through contemporary forms.

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By foregrounding this regional collaboration, Breakfast Club Dhaka situates South Asia as an interconnected cultural space, where artists reinterpret local influences while engaging with global club sounds.

Running continuously from morning to the following day, Breakfast Club Dhaka 1433 combines performances, cultural elements, and community participation as part of a broader Pohela Boishakh observance.

Get tickets here.